The southmartins band ina line walking down the road

The Southmartins review – O2 Academy 2 – Liverpool

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The southmartins band ina line walking down the road

The O2 Academy in Liverpool witnessed an electrifying Saturday night with a The Southmartins, delivering a riveting performance that rocked the venue.

Support for the headline act came in the form of local Liverpool band Crowded Scouse. With Mark on vocals, Mike on drums, Vin on bass and vocals, and Joe on keyboard and vocals, the band, which was formed in 2001, delivered a high-octane 45-minute set. Inviting the audience to join in on beloved hits like It’s Only Natural‘. ‘Fall At Your Feet‘, and ‘Four Seasons’, they culminated with Crowded House’s iconic anthem ‘Weather With You‘. Infused with Liverpool banter and humour, the band served as an exceptional opener, showcasing commendable vocal prowess while introducing lesser-known gems.

Then it was on to the main act. The Southmartins took the stage, unleashing a 90-minute set brimming with infectious energy. Formed in 2009, the seven-piece ensemble kicked off with “Five Get Over Excited,” igniting the crowd with its infectious chorus.

With frontman Andy, channelling the spirit of Paul Heaton, effortlessly transported listeners back to the heyday of the 1980s and 90s. Seamlessly transitioning between hits from The Beautiful South like ‘A Little Time‘ and ‘You Keep It All In‘ to classics from The Housemartins including ‘Happy Hour’. the band’s versatility enthralled the audience. Naomi’s standout vocals, reminiscent of Jacqui Abbot’s prowess, added a distinctive charm to the ensemble.

Wrapping up the evening with a spirited rendition of ‘Caravan Of Love‘, the band etched a lasting memory in the minds of fans, leaving them craving for more.

Overall, The Southmartins delivered a stellar performance, infusing the O2 Academy with an electrifying atmosphere. From captivating vocals to dynamic stage presence, each band left an unforgettable impression, making the evening a must-see for fans of The Beautiful South.

Review by Simon Finn


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